It’s striking  that Griegs Lyrical Pieces are seldom to be heard on the concertstage. Perhaps for keyboard lions they’re not virtuoso enough , allthough some of them are surely challenging from the technical point of view. And the simplicity of other ones make these particularly vulnerable. Many pianist may find the Lyrical Pieces too accesible: music that can evoke a mood or an emotion that easily will be listened to with suspicion. Evocative Griegs’ pieces are for sure: domestic warmth , melancholy, nostalgia for days days gone by, the sweet pain of an old love affair, the beauty of nature, the composer succeeds every time to evoke the corresponding association within a few bars. For amateurs this accessibility has never posed any problem, professionals on the other hand easily categorize this kind of music as not appropiate to perform in public.

Grieg loved to use Norwegian folkmusic in his works and so he does in his Lyrical pieces. Is this way he fits into an all European trend in late 19th century music with composers who became conscious of their nationalistic feelings, like Jánacek and Smetana in Czechia or Albeníz in Spain, and started to express those feelings in their music.

 The 66 short (and sometimes a bit longer) pieces have been composed between 1867 and 1901. The cycle opens with an Arietta and in the concluding epilogue (Efterklang) its melody returns in a subtle way.

The link to the livestreamconcert: https://youtu.be/rzUCr4gChms

PROGRAM

Edvard Grieg (1843 – 1907) – Lyrische Stücke (selectie) 

1.Arietta op.12 nr.1 (1867)

2.Folkevise (Volksmelodie) op. 38 nr.2 (1884)

3. Elegie op. 38 nr.6 (1884)

4. Somerfugl (Vlinder) op. 43 nr. 1  (1886)

5. Liden Fugl (Vogeltje) op. 43 nr.4 (1886)

6. Erotik op. 43 nr.5 (1886)

7.Til Foråret (Aan de lente) op. 43 nr.6 (1886)

8.Valse-Impromptu op. 47 nr.1 (1888)

9. Troldtog (Mars van de trollen) op. 54 nr.3 (1891)

10.Notturno (Nocturne) op. 54 nr.4 (1891)

11. Svundne Dage (Vervlogen dagen) op. 57 nr.1 (1893)

12. Illusion op. 57 nr.3 (1893)

13. Hemmelighed (Geheim) op. 57 nr.4 (1893)

14. Fra Ungdomsdagene (Uit jeugdige dagen) op. 65 nr.1 (1897)

15.Bryllupsdag på Troldhaugen (Trouwdag op Troldhagen) op. 65 nr.6 (1897)

16. Der var engang (Er was eens) op. 71 nr.1 (1901)

17.Sommeraften( Zomeravond) op. 71 nr.2 (1901)

18.Efterklang (Herinneringen) op. 71 nr.7 (1901)